PETER NADIN

March 3 – June 23, 2022
Photograph by Guillaume Ziccarelli

January 13 – February 19, 2022
Photograph by Guillaume Ziccarelli

Red Figure Walking to Red Boat (Volcano Erupting), 2020
Oil on panel
77 7/8 x 49 1/2 in. (197.8 x 125.73 cm)
PN1181OP

Sharkey’s Cow Beneath a Culvert, 2020
Oil on panel
77 3/8 x 48 3/8 in. (196.53 x 122.87 cm)
PN1183OP

Two Figures Walking Past Dimitrios the Greek’s Possessions on Cornwallville Road, 2020
Oil on panel
77 ¾ x 49 3/8 in. (197.49 x 125.41 cm)
PN1180OP

Curt and Mert Landscaping, 2020
Oil on panel
77 3/8 x 48 1/2 in. (196.53 x 123.19 cm)
PN1182OP

Independent, New York, Spring Studios, May 5-8, 2022
Photograph by Alexa Hoyer

House and Dream, 1993
Oil on canvas
70 x 90 in. (177.8 x 228.6 cm)
PN1204OP

A Graft of Marrakesh Lemon onto Sour Orange Rootstock, 2020
Oil on panel
18 ½ x 7 11/16 in. (47 x 19.53 cm)
PN1173OP

I Am Shot: A Murder to Prevent Murder, 2020
Oil on panel
57 x 49 1/4 in. (144.78 x 125.1 cm)
PN1197OP

View II or The Artist, 1986
Oil, acrylic, and enamel on canvas
72 x 63 ½ in. (182.88 x 161.29 cm)
PN1297OP

Views II, 1987
Watercolor and pastel on paper
18 x 24 in. (45.72 x 60.96 cm)

Views II, 1987
Watercolor and pastel on paper
18 x 24 in. (45.72 x 60.96 cm)
Views II, 1987
Watercolor and pastel on paper
18 x 24 in. (45.72 x 60.96 cm)

Views II, 1987
Watercolor and pastel on paper
18 x 24 in. (45.72 x 60.96 cm)

Johan Jumps from a Tree into the Pond, 2020
Oil on panel
49 7/16 x 77 5/8 in. (125.57 x 197.17 cm)
PN1195OP

Mount Pisgah at Dusk, 2020
Oil on panel
20 ¾ x 12 ¾ in. (57.8 x 32.39 cm)
PN1186OP

Looking at Southern Night Sky, 2023
Oil on panel
16 ¼ x 9 ¼ in. (41.28 x 23.5 cm)

Hooton’s Lightning (The Child Wills the Accident to Happen so the Rescue May Begin), 1991-92
Oil on canvas | 75 × 62 in. (190.5 x 157.5 cm)
Purchase, Lila Acheson Wallace Gift, 1992, 1992.327
The Metropolitan Museum of Art

Landscape with Echo, 1992
Oil on canvas
70 x 90 in. (177.8 x 228.6 cm)
PN1209OP

Studio Window with Rosa Bonheur, 1988
Oil on canvas with applied objects
88 x 109 in. (223.52 x 276.86 cm)

a memorial exhibition for Christopher D’Arcangelo at 84 West Broadway, 1979

Self Portrait with Wet Towel on a Hot Day (unfinished), 2020
Oil on panel
42 ¾ x 33 3/4 in. (108.59 x 85.73 cm)
PN1189OP

at Off Paradise
March 3 – June 23, 2022
Photograph by Guillaume Ziccarelli

realized 2022 at Off Paradise,
January 13 – February 19, 2022
Photograph by Guillaume Ziccarelli

Red Figure Walking to Red Boat (Volcano Erupting), 2020
Oil on panel
77 7/8 x 49 1/2 in. (197.8 x 125.73 cm)
PN1181OP

Sharkey’s Cow Beneath a Culvert, 2020
Oil on panel
77 3/8 x 48 3/8 in. (196.53 x 122.87 cm)
PN1183OP

Two Figures Walking Past Dimitrios
the Greek’s Possessions on Cornwallville Road, 2020
Oil on panel
77 ¾ x 49 3/8 in. (197.49 x 125.41 cm)
PN1180OP

Curt and Mert Landscaping, 2020
Oil on panel
77 3/8 x 48 1/2 in. (196.53 x 123.19 cm)
PN1182OP

Independent, New York, Spring Studios, May 5-8, 2022
Photograph by Alexa Hoyer

House and Dream, 1993
Oil on canvas
70 x 90 in. (177.8 x 228.6 cm)
PN1204OP

A Graft of Marrakesh Lemon onto Sour Orange Rootstock, 2020
Oil on panel
18 ½ x 7 11/16 in. (47 x 19.53 cm)
PN1173OP

I Am Shot: A Murder to Prevent Murder, 2020
Oil on panel
57 x 49 1/4 in. (144.78 x 125.1 cm)
PN1197OP

View II or The Artist, 1986
Oil, acrylic, and enamel on canvas
72 x 63 ½ in. (182.88 x 161.29 cm)
PN1297OP

Views II, 1987
Watercolor and pastel on paper
18 x 24 in. (45.72 x 60.96 cm)

Views II, 1987
Watercolor and pastel on paper
18 x 24 in. (45.72 x 60.96 cm)
Views II, 1987
Watercolor and pastel on paper
18 x 24 in. (45.72 x 60.96 cm)


Johan Jumps from a Tree into the Pond, 2020
Oil on panel
49 7/16 x 77 5/8 in. (125.57 x 197.17 cm)
PN1195OP

Mount Pisgah at Dusk, 2020
Oil on panel
20 ¾ x 12 ¾ in. (57.8 x 32.39 cm)
PN1186OP

Looking at Southern Night Sky, 2023
Oil on panel
16 ¼ x 9 ¼ in. (41.28 x 23.5 cm)

Hooton’s Lightning (The Child Wills the Accident
to Happen so the Rescue May Begin), 1991-92
Oil on canvas | 75 × 62 in. (190.5 x 157.5 cm)
Purchase, Lila Acheson Wallace Gift, 1992, 1992.327
The Metropolitan Museum of Art

Landscape with Echo, 1992
Oil on canvas
70 x 90 in. (177.8 x 228.6 cm)
PN1209OP

Studio Window with Rosa Bonheur, 1988
Oil on canvas with applied objects
88 x 109 in. (223.52 x 276.86 cm)

installing the final collaborative artwork,
a memorial exhibition for Christopher D’Arcangelo
at 84 West Broadway, 1979

Self Portrait with Wet Towel on a Hot Day (unfinished), 2020
Oil on panel
42 ¾ x 33 3/4 in. (108.59 x 85.73 cm)
PN1189OP

Peter Nadin (b. 1954, Bromborough, U.K.), a key figure of the downtown art world in the late 1970s and 1980s, is a painter, sculptor and poet whose work explores the practice of mark- and image-making as fundamental, evolutionary human functions. The son of a sea captain, Nadin grew up near Liverpool in a close-knit family. He attended art school at the University of Newcastle and moved to New York City in 1976, becoming involved with a group of artists that included Jenny Holzer, Daniel Buren, Richard Prince, Sean Scully, Lawrence Weiner and Chris d’Arcangelo. In 1978, with d’Arcangelo, he founded the experimental art space 84 West Broadway. With Holzer, he published three collaborative books of poetry and images. In 1980, with Peter Fend, Colleen Fitzgibbon, Holzer, Prince and Robin Winters, he founded the collective known as The Offices of Fend, Fitzgibbon, Holzer, Nadin, Prince and Winters, which offered “practical esthetic services, adaptable to client situation,” including “suggestions for realistic action.” Nadin’s work has been included in numerous exhibitions, including ones at the Institute of Contemporary Art in Boston, the Yale Center for British Art, Brooke Alexander Gallery, Gavin Brown’s Enterprise and James Fuentes Gallery. His work is in the collection of the Metropolitan Museum of Art and was included in the 1988 Venice Biennale.

Independent New York, Spring Studios, May 5-8, 2022
Photograph by Alexa Hoyer

Independent, New York, Spring Studios, May 5-8, 2022
Photograph by Alexa Hoyer

Independent, New York, Spring Studios, May 5-8, 2022
Photograph by Alexa Hoyer
FLASH ART ITALIA Fiction/Function. Philippe Thomas & l’agenzia readymades belong to everyone®, Inverno 2022-23 PDF
ARTNET Editors’ Picks: 13 Events for Your Art Calendar, May 23, 2022
THE PARIS REVIEW The Distance from a Lemon to Murder: A Conversation with Peter Nadin, May 17, 2022
THE NEW YORK TIMES An Elegant Return to Form at Independent Art Fair, May 6, 2022 PDF
VOICES ON ART #59 Getting to the bottom of things | PETER NADIN, artist and farmer, NYC and the Catskills, April 19, 2022
THE BROOKLYN RAIL Claude Rutault & Peter Nadin, April 2022 issue PDF
THE BROOKLYN RAIL Claude Rutault & Peter Nadin, April 2022 issue PDF
GALERIE MAGAZINE Pioneer of Conceptualism Claude Rutault Opens Must-See Show at Off Paradise in New York, January 31, 2022
ARTNET Editors’ Picks: 10 Events for Your Art Calendar, January 10, 2022
FLASH ART ITALIA Fiction/Function. Philippe Thomas & l’agenzia readymades belong to everyone®, Inverno 2022-23 PDF
ARTNET Editors’ Picks: 13 Events for Your Art Calendar, May 23, 2022
THE PARIS REVIEW The Distance from a Lemon to Murder: A Conversation with Peter Nadin, May 17, 2022
THE NEW YORK TIMES An Elegant Return to Form at Independent Art Fair, May 6, 2022 PDF
VOICES ON ART #59 Getting to the bottom of things | PETER NADIN, artist and farmer, NYC and the Catskills, April 19, 2022
THE BROOKLYN RAIL Claude Rutault & Peter Nadin, April 2022 issue PDF
THE BROOKLYN RAIL Claude Rutault & Peter Nadin, April 2022 issue PDF
GALERIE MAGAZINE Pioneer of Conceptualism Claude Rutault Opens Must-See Show at Off Paradise in New York, January 31, 2022
ARTNET Editors’ Picks: 10 Events for Your Art Calendar, January 10, 2022